Rabu, 10 Maret 2010

Orphan 2009 DVDRip aXXo

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An orphan film is a motion picture work that has been abandoned by its owner or copyright holder; also, any film that has suffered neglect.

The resurgent interest in these films is due to their rich value as cultural and historical artifacts. Documentarians, filmmakers, historians, curators, collectors and scholars have joined forces with archivists because they deem orphans not only historical documents, but also evidence of alternative, suppressed, minority or forgotten histories.

Since 1999, hundreds of these devotees have gathered for the biennial Orphan Film Symposium. In 2001, members of these professions began referring to an “orphan film movement.” As archivist-scholar Caroline Frick has written, some of the most active participants identify themselves as “orphanistas,” passionate advocates for saving, studying and screening neglected cinema. In 2004, visual anthropologist Emily Cohen wrote that the movement's creative and intellectual ferment constituted an “Orphanista Manifesto.” [5] More pragmatically, in the United States the group's rising influence affected discourse and policies about copyright reform, joining the broader media reform movement. Examples of this include the 2003 Supreme Court case Eldred v. Ashcroft and the 2006 Copyright Office Report on Orphan Works. In September 2008, the U.S. Senate passed a bill (S.2913) "to provide a limitation on judicial remedies in copyright infringement cases involving orphan works," but the House of Representatives adjourned before addressing the measure. Similar legislation is scheduled to be reintroduced in 2009.

Although U.S. copyright stakeholders confine their discussion to the narrower definition of an orphan (a work with no identifiable rights holder or whose rights holder cannot be located), the broader conception—an orphan film as a neglected object—continues to be used internationally. Film archivists working quite separately in different nations have used the orphan metaphor for a decade. At the Cinemateca de Cuba, for example, the term "huĂ©rfanos" has been used to conceptualize the lost and abandoned works of Cuban film history, its "huerfanidad." The Nederlands Filmmuseum preserves and programs its "Bits & Pieces" series of unidentified film fragments, its "foundlings." The China Film Archive in Beijing uses a translatable orphan film metaphor as well.[6]

Another indication of the international interest in orphan films was filmmaker Martin Scorsese's announcement of a World Cinema Foundation (WCF) at the 2007 Cannes Film Festival. Press reports stated that the WCF would preserve "orphan" films. By 2008, however, the WCF's mission statement referred only to "neglected" films rather than orphans, as the foundation helps fund preservation of lesser known theatrical motion pictures, which remain under the legal ownership of some party. World Cinema Foundation

In April 2008, members of the International Federation of Film Archives (FIAF) unanimously endorsed a "Declaration on Fair Use and Access". The ninth of its ten points simply states: "FIAF supports efforts to clarify the legal status of 'orphan' motion pictures and related promotional and historical materials for the purpose of preservation and public access." More recently, on June 4, 2008, the European Union announced the signing of a new "Memorandum of Understanding" on orphan works. The EU's Digital Libraries Initiative produced the statement. Signatories from included the key institutions in moving image archiving and representatives of rights-holders: Association Des Cinematheques Europeennes (ACE), the British Library, European Film Companies Alliance (EFCA), Federation Europeenne Des Realisateurs De L'audiovisuel (FERA), Federation Internationale Des Associations De Producteurs De Films (FIAPF), and the International Federation Of Film Distributors (FIAD). EU Press Release on Orphan Works


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